HELLAH HORRAH: Hell No Myth Descent: Weapons

Tarot Card: The High Priestess (Secrets That Refuse to Stay Buried)

Hellah’s back — and this time the terror doesn’t come running at you.

It waits.

Weapons is the kind of horror that slips into your mind sideways. You walk in expecting a crime story, a disappearance mystery, maybe a procedural unraveling. Instead, the film slowly pulls the floorboards up beneath you and whispers:

What if the horror was already inside the town?

The premise alone is enough to chill the blood: children vanish overnight, slipping out of their homes and into the dark like sleepwalkers answering a call no adult can hear. No struggle. No forced entry. Just doors quietly opening and small feet moving toward something waiting beyond the edge of the neighborhood.

The adults scramble for explanations — police reports, interviews, suspicion, blame. Everyone wants a culprit.

But the deeper the story moves, the clearer it becomes:

This isn’t a kidnapping story.

This is a summoning.

And the brilliance of Weapons is that it refuses to show its hand too early. The film lets you believe you’re watching something human until the myth underneath begins to surface like something rising through water.

Because this isn’t about a single monster.

It’s about belief systems.

About the ways communities protect their secrets by refusing to name them. The way folklore hides in plain sight, disguised as local history, whispered warnings, the kind of stories adults dismiss until they’re forced to remember where those stories came from.

That’s where the witch energy enters.

Not broomsticks and pointy hats — no.

This is ancient witchcraft. The kind rooted in power, in lineage, in rituals older than the buildings standing on the land. The kind that feeds on silence. The kind that waits patiently for the right moment to be acknowledged.

The High Priestess card in tarot represents hidden knowledge — the veil between worlds, intuition, mysteries that refuse explanation. In Weapons, the town itself feels like the High Priestess’ temple: quiet on the surface, but layered with secrets everyone senses and no one dares speak aloud.

The missing children become symbols of something darker.

A reminder that innocence is often the first currency exchanged when power goes unchecked. That communities will protect the illusion of safety long after the truth has started scratching at the walls.

And when the supernatural finally steps forward — when you realize the story has been a witch narrative all along — it lands like a thunderclap.

Because the scariest part isn’t the magic.

It’s the realization that the town already knew.

Final Hellah truth:

Some monsters are loud.

Some monsters hide in the woods.

But the oldest horrors live in secrets shared by everyone and spoken by no one.

And when the children start walking into the dark?

It’s already too late to pretend you don’t know why.

— Hellah 🖤

🔮

HELL NO MYTH ORACLE INDEX

  • What You Wish For → The Devil (Hunger, power, moral erosion)

  • Ready or Not → The Tower (Collapse of inherited power)

  • Weapons → The High Priestess (Hidden rituals, collective silence)

Tya Alisa Anthony

Tya Alisa Anthony is an American artist, photographer, writer, and independent curator whose work explores memory, mythology, ancestry, and the quiet ways people leave themselves behind in the objects they touch. For more than twenty years, her practice has existed at the intersection of visual research, education, and cultural storytelling, investigating resilience through the body, the landscape, historical archives, and the natural world.

Working across photography, collage, cyanotype, botanical collections, handmade books, and mixed media, Anthony approaches each body of work as an evolving archive rather than a finished statement. She is drawn to weathered photographs, heirlooms, medicinal plants, folklore, ritual objects, forgotten architecture, and the symbolic language that connects cultures across time. Her work asks how identity is preserved, transformed, and remembered.

Alongside her studio practice, Anthony has spent more than two decades building educational programs, exhibitions, and community-centered initiatives that expand access to the arts. Her leadership has helped shape institutions, mentor emerging artists, develop sustainable systems, and create spaces where creativity becomes a lifelong practice rather than a privilege.

Anthony’s artwork is included in the permanent collections of the Denver Art Museum and the Museum of Contemporary Art Denver’s Octopus Collection. Her work has been exhibited nationally and is held in numerous private collections.

She is currently creating Organic Tarot, a 78-card hand-collaged tarot deck and accompanying memoir that intertwines mythology, autobiography, botanical symbolism, and the archetypal journey of transformation. The project reflects the central thread running throughout her career: that art is not simply something we make—it is a way of understanding ourselves, preserving what matters, and leaving a map for those who come after us.

http://www.tyaanthony.com
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HELLAH HORRAH: Hell No Myth Descent: Ready or Not

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HELLAH HORRAH: Hell No Myth Descent: Dracula Untold