Reframing Myself

It’s been a long time since I’ve had the mental and emotional space to think about me. Not the roles I hold, not the endless lists, not the deadlines or responsibilities—just the soft, complicated, luminous being that I am when everything else is stripped away.

For so long, I’ve been in healing mode. My body and spirit demanded it. Recovery isn’t just a timeline, it’s an entire landscape you learn to walk through slowly, tenderly, sometimes with shaky legs. Healing asked me to surrender to rest, to listen closely, to prioritize survival. I did. And I’m grateful.

But now—there’s a stirring. A low hum beneath my ribs. A call back to my own rhythm. An urge to return to myself, not in the same way I used to, but with a shift—with effort, with intention.

I’ve always been a “do me” person. From the beginning, art was my compass. Even when the world felt upside down, I stitched, I painted, I photographed, I collaged—I found ways to weave fragments into something whole. Art was never just about making; it was about survival, about declaring, I am still here. It was about recovery long before I knew how much recovery I would need.

Now, I sense another threshold. The desire isn’t just to create but to create from a renewed place. To honor all that I’ve survived without letting it define me. To explore joy as seriously as I’ve explored grief. To move toward softness with the same determination I’ve brought to resilience.

This shift feels less like a reinvention and more like a return—like peeling away layers until the core of me can breathe freely again. It’s about claiming time, space, and energy for myself. About tending to my body, my spirit, my garden, my breath. About recognizing that my art and my life are not separate—they are mirrors, constantly revealing where I’ve been and where I might go next.

So here I am, whispering a promise to myself:
I will make the effort.
I will choose me.
I will create from the marrow, not just from the scar.

And I’ll let whatever comes next be a continuation of the wild, radiant story I’ve always been writing—through color, through texture, through silence, through light.

Tya Alisa Anthony

Tya Alisa Anthony is an American artist, photographer, writer, and independent curator whose work explores memory, mythology, ancestry, and the quiet ways people leave themselves behind in the objects they touch. For more than twenty years, her practice has existed at the intersection of visual research, education, and cultural storytelling, investigating resilience through the body, the landscape, historical archives, and the natural world.

Working across photography, collage, cyanotype, botanical collections, handmade books, and mixed media, Anthony approaches each body of work as an evolving archive rather than a finished statement. She is drawn to weathered photographs, heirlooms, medicinal plants, folklore, ritual objects, forgotten architecture, and the symbolic language that connects cultures across time. Her work asks how identity is preserved, transformed, and remembered.

Alongside her studio practice, Anthony has spent more than two decades building educational programs, exhibitions, and community-centered initiatives that expand access to the arts. Her leadership has helped shape institutions, mentor emerging artists, develop sustainable systems, and create spaces where creativity becomes a lifelong practice rather than a privilege.

Anthony’s artwork is included in the permanent collections of the Denver Art Museum and the Museum of Contemporary Art Denver’s Octopus Collection. Her work has been exhibited nationally and is held in numerous private collections.

She is currently creating Organic Tarot, a 78-card hand-collaged tarot deck and accompanying memoir that intertwines mythology, autobiography, botanical symbolism, and the archetypal journey of transformation. The project reflects the central thread running throughout her career: that art is not simply something we make—it is a way of understanding ourselves, preserving what matters, and leaving a map for those who come after us.

http://www.tyaanthony.com
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The Sergeants Daughter : a background

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From the Deep: Why I Am Both Afraid and Still Creating